Adobe SpeedGrade CS6
is a color grading software program that used to cost upwards of
$20,000 when it was sold as a professional stand-alone package from Iridas.
But following that company’s purchase by Adobe, SpeedGrade is now
included with the CS6 Production Premium, Master Collection, and
Creative Cloud bundles, or sold separately for $999. Using what Adobe
calls the Lumetri Deep Color Engine, SpeedGrade allows you to
perform professional color grading on your video footage—either in its
raw format or as an edited composition derived from Premiere Pro CS6
This program is aimed at high-end professional video editors, film producers, and filmmakers. It is generally more advanced than what is needed by most video editors using a basic three-way color corrector plug-in with a non-linear editing system. But if you want amazing color grading for your footage and edited projects, and don’t mind a bit of a learning curve to achieve it, then SpeedGrade will definitely make your day. With SpeedGrade, you can add masking, vignettes, and even color grade 3D stereo pairs. Clearly, Adobe is aiming for a more sophisticated video production crowd with the entire CS6 suite and this tool is an enticement for those in the know—pulling in customers from Final Cut, and also from Avid. The learning curve may be too steep for most editors, and if you don't really know what you're doing, you won't get optimum results over using the basic three-way color corrector.
.This program is aimed at high-end professional video editors, film producers, and filmmakers. It is generally more advanced than what is needed by most video editors using a basic three-way color corrector plug-in with a non-linear editing system. But if you want amazing color grading for your footage and edited projects, and don’t mind a bit of a learning curve to achieve it, then SpeedGrade will definitely make your day. With SpeedGrade, you can add masking, vignettes, and even color grade 3D stereo pairs. Clearly, Adobe is aiming for a more sophisticated video production crowd with the entire CS6 suite and this tool is an enticement for those in the know—pulling in customers from Final Cut, and also from Avid. The learning curve may be too steep for most editors, and if you don't really know what you're doing, you won't get optimum results over using the basic three-way color corrector.
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